fantasy

Recently, I had to make a decision about whether or not to call Child Protective Services. The boy involved is a smart boy. He is not a troublemaker. The people who needed to be reported were the boy’s parents who left him, alone, without any organized adult supervision for several days. In the end, I decided not to do it, but I have fretted over this decision every day since. This is my way of working it out a little.

Not a Tale for Children

His face is not a face. It is an onion to be peeled, a puzzle to be pieced together. His pain is so deep under the surface even he cannot find the center, the source. He remembers very little, but he recalls two sets of hands. The woman’s hands first: long, slender fingers pointing to her chest, and a heart beating there. These hands lifted him when he was tired and could walk no further; these hands ruffled his locks even when he hadn’t bathed; these hands felt like sunshine warming his knee.

The other hands were different. Those hands had fingernails sharpened to claws. Those hands had scarred knuckles. Those hands smelled metallic and gripped a gun with a feeling that he imagines is something close to love. He remembers bruises and fists and, finally, he remembers no hands at all.

He remembers the smell of grass vaguely, but then he is not sure. Maybe he is recalling warm bread with apricot jam, or the scent behind a baby’s knees, or the memory of a thick yellow comforter on a soft bed. A real bed. A place to rest a body or a head.

He remembers he used to have wings, feathers that extended from the center of his back, in the place where his shoulder blades met. His wings were eggshell-colored and silky, too — of this he is certain.

He remembers the day his wings caught fire.

It was the twenty-seventh day after they noticed the wind had stopped moving across the land. Twenty-seven days since the last orange butterfly visited the blue flowers that puffed out purple tongues. On that day, he felt a fist of fire cracking its way up his back and then his wings — which he had always been taught to believe could fly him away from the cracking cement and the muffled rumbling in the distance, the rubble — his beautiful wings turned brown and curled into wispy tendrils of dust.

It had not been a slow burning. His wings exploded into flame and the air around him turned brown and green. He remembers the smell of burning flesh.

Because he was ashamed of his loss, he hid for five days, coming out only at night to scavenge amidst the wreckage, searching for marshmallows and sunflower seeds and bits of cheese. After a while, he forgot what he was hiding for and emerged, small and pigeon-toed. Amazingly, no-one seemed to notice that his wings were gone. Tall, crooked shadows curved over his tiny frame and then rushed past, leaving him questioning if he had ever had them in the first place.

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I read The Great Gatsby for the first time in 11th grade and promptly fell in love with Gatsby: His decadent parties. His fancy cars. The flowers and champagne he showered on his friends. The opulence of the time. I understood Gatsby’s romantic notions and tortured love for the wilting Daisy Buchanan. I loved how Gatsby stared across the water at the flashing green light, clinging to a dream because, for Jay Gatsby, for a time the world was green with possibility. The narrator, Nick Carraway, realizes Gatsby’s dream is  seriously flawed – and Nick walks away one night leaving Gatsby alone in the moonlight “watching over nothing” (153).

Anyone who has read F. Scott Fitzgerald’s novel knows that Gatsby was all about illusions. He was stunningly good-looking, which can get you pretty far in America. He was born James Gatz, the son of unsuccessful farmers, but he reinvented himself. An officer; a gentleman; a businessman.

Gatsby was the lover of ideas. Fancy ones. He had the audacity to believe in the American Dream, where anything was possible. But his thinking was terribly flawed. He believed in things that could never be.

For all his faults, Gatsby was beautiful because he was so very vulnerable.

Oh, how I wept.

(I don’t mean to sound dramatic. Any student who has ever sat beside me as I watch the film version knows I weep like a baby at the end of Gatsby.)

A few days ago, a former student told me The Sands Point, Long Island mansion – that is said to be author F. Scott Fitzgerald’s inspiration for his legendary novel – is about to be demolished.

The 24,000-square-foot, 25-room home, which in the 1930s used to be the scene of lavish parties by celebrities, is now a deteriorating shell of its former glory.

After sitting on the market at $30 million, the home — called Lands End — is set to be knocked down, and plans are in the works to split the 13 acres of land into five lots worth an estimated $10 million each.

“The cost to renovate these things is just so overwhelming that people aren’t interested in it,” Lands End project construction manager Clifford Fetner told Newsday. “The value of the property is the land.” Source

It’s all just so damn symbolic.

I know we are struggling right now – as a country, as individuals – but like Gatsby, we have to have hope. There were many tragedies here, to be sure – but to take this magnificent house and demolish it? Call me sentimental, but it seems a little short-sighted.

Sigh.

Ain’t that America?

I wonder if anyone will show up for the funeral.

What do you remember about reading/seeing The Great Gatsby?

Fitzgerald, F. Scott. The Great Gatsby. Macmillian Publishing Company: New York. 1991. Print.